| RICK WAKEMAN out there |
|||||||||||||||||||
![]() |
|
||||||||||||||||||
After wandering around in very different musical landscapes in a decade, a journey which reached its all-time low with the terrible Live In Concert 2000, Rick Wakeman has gone a full circle, re-assembled the New English Rock Ensemble and produced a record with fresh prog rock. Energic and driving, melodic and catchy music full of Wakemans good, old sound trademarks; Hammond, Mellotron, Clavinet, piano, church organ and allsorts synths. It looks like the old gentleman has received a tremendous dose of vitamins, the music oozes vitality and playfullness.
Vocalist Damian Wilson sounds alternately like Jon Anderson and Ian Gillan, and the music also varies between relatively heavy riffs in Music Of Love to the more pompous and elegant melodies in To Believe You the latter sounds almost like something out of Yes Drama (which Wakeman did not participate in), complete with choir and everything else needed.
The most pleasant surprise of it all is that Wakeman has managed to write good songs; riffs and melody lines really stick in your ear. Universe Of Sound sounds (perhaps a bit too much) like 80s Yes with its hectic, somewhat stressful form and vocal, while we in The Cathedral Of The Sky are almost back in The Six Wives or Journey To The Centre of the Earth with its hints to classical music.
Out There is almost "Deep Purple Meets Yes". Heavy guitars and vocals together with Wakemans typical keyboard figures is actually quite a first class combination. And when they are accompanied by The English Chamber Choir, it gets quite overwhelming. Its not far from being "over the top", but Wakeman manages easily to avoid the tastlessness which now and then has made its mark on his previous productions. He goes all the way, oh yes, but the final result is fun!
This is the record Yes havent made in twenty years.
© 2003 Tarkus Magazine